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BORDERLAND

Starting from the Guanzhong plains in Shaanxi Province, my vision goes until the Hexi Corridor in Gansu Province

BORDERLAND

BORDERLAND

BORDERLAND

BORDERLAND

BORDERLAND

BORDERLAND

Starting from the Guanzhong plains in Shaanxi Province, my vision goes until the Hexi Corridor in Gansu Province from east to west; the cultural relics and aboriginal forms along the road, are scattered in a vast expanse of the wilderness and the ordinary people’s daily life. These of my works, are exactly expected to permeate a little bit of cautious ambiguous smell of visual providers from the real space and the everyday life of the Northwest habitants and reveal the emotions and aesthetics tendencies of the region that are both subtle and rough, both thick and romantic. Despite walking in this way, the vision which I hope to frame sources from reality and is yet free from it, stands alone and yet accumulates into a whole, diverges outward and also converges inward, with realistic narrative expression and pure-vision heartfelt words. And all this seems to hint that I expect with full confidence to become something while trying to break away from something. If there is any conspiracy or metaphor, it’s merely assumed to be a certain kind of thinking, response and care to the current reality when the accumulated declining traditional culture stumbles upon strong material civilization and is consequently re-shuffled, introduce some fresh air to the suffocated and barren spiritual world of the people to offer a reason for rethinking and reimaging.

Under the sky, the earth is as what it is. I try to, using the solidified external form, present the essence and temperament of the traditional Chinese culture itself, and subtlety and secret that are related as kinship, diverges and is yet attracted to each other, and can be understood only after deep reading, in order to save traditional culture that is increasingly disillusioned in my inner heart.

Therefore, the border of the artistic imagination can only be visual support and sacrifice of independent life of individuals.


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  • Photographer profile: Wu Pingguan
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